I’m back with more graphic novels! It’s an all-consuming joy of mine; I love them all. I’ve got some newer and up-and-coming books, and some backlist that shouldn’t be missed. I’ve got books for middle grade/middle school, and I’ve got teen/YA, so let’s see what’s good!
An autobiographical graphic novel that really hits the sweet spot for middle schoolers but will also appeal to upper elementary and high schoolers, Sylvie is the story of the author and illustrator’s life, quirks and all. She grows up in a school where her father was principal. She loves art from an early age, but her mother is focused on her pursuing a career in math or science. The book follows her family as they add more children to the family and Sylvie’s mother doggedly pushes her academically. As she grows in confidence, and seeks her father’s council, Sylvie takes control of her own future. Artwork is cartoony and friendly, and easy-to-read, first-person narration makes Sylvie readers feel like they’re talking with a friend. Discussions about racism and anti-Semitism in ’60s and ’70s France sets the stage for discussion.
Another middle school-geared book, Tell No Tales is a fictionalized account of pirate Anne Bonny, pirate Mary Read, and their female and non-binary pirate crew. They have a growing reputation, but a privateer is on their heels: Woodes Rogers, a failed pirate turned pirate hunter for the Crown, has sworn to wipe the stain of piracy from the seas. There are strong positive female and non-binary characters, based on characters from history, but the overall story falters, leaving readers to look for the thread in between the individual stories of Bonny’s crew, all of which are fascinating. The artwork is colorful, manga-inspired, and will grab viewers. Back matter includes a word on the real-life exploits of Anne Bonny and Mary Read, notes, and a bibliography.
One of the most beautifully illustrated graphic novels I’ve ever seen, Fantastic Tales of Nothing is one of heck an epic fantasy for middle graders and tweens, and early teens. Nathan is a human living what he considers a pretty ordinary life until that fateful day when he wakes up in the middle of nowhere and meets a being named Haven and a race of shape shifters called the Volken. As the unlikely group find themselves on a quest, Nathan also learns that he isn’t that ordinary – he has mysterious power in side of him, and the fate of Nothing lies in his hands. Vivid color, breathtaking fantasy spreads, and solidly constructed worldbuilding lays the foundation for what could be a groundbreaking new fantasy series for middle graders, with nonbinary and Latinx representation to boot. Where are the starred reviews for this book?
Tales of Nothing received IndieNext Honors. The website has more information about the characters, authors, and upcoming projects.
Illustrator Julian Peters has taken 24 poems by some of the most recognizable names in the art form, and brought them to life using different art forms, from manga to watercolor to stark expressionist black and white. Organized into six areas of introspection: Seeing Yourself; Seeing Others; Seeing Art; Seeing Nature; Seeing Time, and Seeing Death, Peters illustrates such master works as “Caged Bird” by Maya Angelou, “Annabel Lee”, by Edgar Allan Poe, and “Juke Box Love Song” by Langston Hughes. It’s a great way to invite middle school, high school, and college students to deep dive into some of the greatest works of poetry.
This graphic adaptation of PEGOT (Pulitzer, Emmy, Grammy, Oscar, Tony) winner Marvin Hamlisch’s biography is one I did not see coming! The legendary musician, composer, and conductor discusses his family’s flight from Hitler’s Austria and settling in America, Hamlisch’s admittance to Julliard at the age of 6, and the intense anxiety that plagued him before every performance. He tells readers about attending high school with Christopher Walken and Liza Minelli, and playing the piano for Judy Garland as a teen; about composing pop radio hits and learning to compose music for a motion picture as he went along. By the time he was 30, he’d won his first major award. Hamlisch’s voice is funny, warm, and conversational throughot, and Marsden’s realistic art has touching moments, particularly between Hamlisch and his father. A great read for theatre and music fans – this one is going to be my not-so-secret weapon.