World War II – Page 2

Rosie: Stronger Than Steel, like the ladies around her. Plus, a giveaway!

Posted on March 31, 2020March 31, 2020 by Rosemary Kiladitis

Rosie: Stronger Than Steel, by Lindsay Ward, (April 2020, Two Lions), $17.99, ISBN: 978-1-15420117947

Ages 4-8

In a nod to history, and a fitting way to send off Women’s History Month, Rosie: Stronger Than Steel salutes the American and English women who took care of business during World War II. Most of us know the iconic Rosie the Riveter, symbolic of the women who went to work in factories during the War, but not many of us in the States have heard of the British Women’s Land Army, tthat encouraged women to work in agriculture, keeping he Women’s Land Army was a British civilian organisation created during World War II so women could work in agriculture, so that Britain – an island nation that largely relied on imported food – could grow their own crops and be self-sufficient.

Rosie is an ode to the power of women working together. Created as a poem – part rhyme, part evocative verse – from the point of view of a tractor named Rosie, built in America by female factory workers – Rosies – and sent overseas to join the Women’s Land Army. She’s green, with a painted rose, and filled with a strong sense of purpose as she works with the women in Britain to plow fields, grow crops, and feed her new nation. She has a mantra that she clings to, repeated throughout the story: “I plow and I dig. / I dig and I plow. / No matter the job, / This is my vow. It spurs her on, as she plows in the shadow of fighter planes, through mud and muck. When the war ends, she mentors new farm machines, until the day she thinks it may all come to an end when she gets stuck in the mud… but wait! No one is going to abandon our Rosie! Like the Little Engine That Could, Rosie is truly stronger than steel, and roars back to life. A testament to women coming together to achieve great things, Rosie: Stronger Than Steel is an inspiring story about collaboration, cooperation, and determination. An author’s note tells the story of the American factory workers – our Rosie the Riveters – and the British Women’s Land Army. There’s an abbreviated World War II timeline across the bottom of the author’s note spread.

Lindsay Ward’s colored pencil and cut paper artwork is colorful, bright, and filled with images of women (including Rosie!) working together, determined. Her art is so different here, from her colorful, cartoony artwork we see in her Dexter trilogy and Brobarians: here, we see realistic women and farmland, with a sweet-face, cartoony tractor; a blend that shows her versatility as an artist as well as an author. I really enjoyed Rosie: Stronger Than Steel and love this introduction to women’s history, for younger readers.

Rosie: Stronger Than Steel has starred reviews from Kirkus and Booklist.

Lindsay Ward is the creator of the Dexter T. Rexter series as well as This Book Is Gray, Brobarians, Rosco vs. the Baby, and The Importance of Being 3. Her book Please Bring Balloons was also made into a play. Lindsay lives with her family in Peninsula, Ohio, where she often sees tractors from the 1930s and 1940s. Learn more about her online at www.lindsaymward.com.

Twitter: @lindsaymward

Reviewers love Rosie!

★“More than the sum of its parts, this is a wildly successful and well-researched shaping of the picture-book form to true historical sheroes.” —Kirkus Reviews (starred review)

★“This ‘little tractor that could’ sort of tale pays tribute to the iconic Rosie the Riveter persona from the US and the British Land Girls of the Women’s Land Army during WWII. Fans of Loren Long’s Otis, Virginia Lee Burton’s Katy, and like sturdy, dependable workhorses will welcome Rosie into the fold, but the historical perspective adds an unusual dimension to her story.” —Booklist (starred review)

“Vocabulary is rich, and the younger set will appreciate the intermittent rhymes. The style of Ward’s colored pencil and cut-paper illustrations reflect the period of the tale. ” —School Library Journal

One lucky winner will receive a copy of Rosie: Stronger than Steel, courtesy of Two Lions (U.S. addresses). Enter the Rafflecopter giveaway!

Fiction, Fiction, Fiction, Historical Fiction, Intermediate, Middle Grade

American Girl Trio: Melody, Nanea, and Julie

Posted on December 7, 2019 by Rosemary Kiladitis

Everyone is pretty aware of American Girl, the toy and book phenomenon that sent kids running to the stores for an experience – tea party, clothing selection, matching outfits – before Build-a-Bear got involved. The American Girl novels have big fans in every library where I’ve worked, but I never thought to pick up and read any of them for myself. But I received three from the publisher, so I figured, what the heck? Let’s see what these are about. I have to say, I’m pretty happy with them.

The three books that I received seem to be a repackaging of American Girl’s BeForever line of historical novels. The original books look to have been published in 2016-2017; these new releases have updated cover art and the interiors are very emerging reader friendly, with both color photos and artwork throughout, making it even more appealing and reader-friendly to emerging chapter book readers.

Melody: No Ordinary Sound (American Girl: Melody), by Denise Lewis Patrick, (Aug. 2019, American Girl), $7.99, ISBN: 9781683371403

Ages 8-12

It’s 1963 in Detroit, Michigan, and 9-year-old Melody just found out that she’s going to be singing her first church solo for the Youth Day celebration. Her older brother wants to be a Motown star, while their dad wants him to go to college and pick a more stable career; her older sister comes home from college with stories of protests, marches, and registering Black voters, and her cousin’s family arrives in Detroit, because racial tension in the American South has made it almost impossible to earn a living. As Melody and her family awaken to activism, a horrific church bombing in Birmingham, Alabama takes the lives of four children and leaves Melody speechless. She has to find her voice and sing for those who can’t.

No Ordinary Sound is such powerful historical fiction for intermediate and middle grade readers. I’ve enjoyed Denise Lewis Patrick’s books in the past, so I read this American Girl book first, and am so glad I did. Her characters experience three pivotal events in civil rights history – the Detroit Walk to Freedom; the March on Washington, where Dr. Martin Luther King, Jr. gave his “I Have a Dream” speech, and the church bombing in Birmingham, Alabama – and encourage readers to see these events from a personal point of view, developing a deeper understanding of more than just the facts. Denise Lewis Patrick provides a slice of life story, where readers experience the everyday racism Melody and her family and friends experience; from being banned from buying a soda at a soda machine to being shadowed by store security at stores where they’ve been longtime customers.

No Ordinary Sound was a great introduction to the American Girl historical fiction series of books, and I’ll be sure to include this series in booklists and booktalks about civil rights and historical fiction. Melody’s books have their own page on the American Girl website, where you can read first chapter excerpts.

Civil Rights Teaching has lesson plans and resources about teaching the Civil Rights Movement, as does Facing History and Ourselves. The Grammy Museum has a lesson plan on teaching the impact of Motown. Education.com has a free, downloadable worksheet on the History of Motown, and TeachRock.org has a lesson Assembling Hits at Motown. PBS Learning Media has a teaching guide and primary source materials on The Great Migration, and National Geographic has an educator’s guide.

Nanea: The Spirit of Aloha (American Girl: Nanea), by Kirby Larson, (Aug. 2019, American Girl), $7.99, ISBN: 9781683371380

Ages 8-12

Nanea is a 9-year-old Hawaiian girl; she’s the youngest in her family, and feels frustrated that she can’t do grown-up things, like help in her family’s store. When Pearl Harbor is attacked by Japanese aircraft on December 7, 1941, Nanea discovers that she has to grow up quickly. Her father is a mechanic at Pearl Harbor, and rushes to help out; her older brother is an Eagle Scout, and heads to the site to hand out food and provide aid. Nanea’s Uncle Fudge is taken into custody because he’s Japanese, and Nanea is thrust into a different world with blackouts, curfews, and fear. She and her two best friends work to make themselves useful, especially when “nonessential personnel” must leave the island, which puts her friend at risk. With the spirit of aloha – love, understanding, and compassion – Nanea focuses on kokua – good deeds – to help everyone around her.

The Spirit of Aloha was another strong historical fiction piece. Kirby Larson has written likable, relatable female protagonists, and she’s done historical fiction before, so I was confident I was going to read a good story. Here, we have the main event, the bombing of Pearl Harbor, as a means to show how war makes children grow up overnight. Nanea sees her life change in moments: the bombing itself; the rounding up of Japanese people and the detention center; her fears for her father and brother as they head into the middle of the disaster to help; curfews and blackouts curtains, and the overall loss of a relatively peaceful, carefree existence. At the same time, she focuses on her culture’s principles of love, compassion, and good deeds. Kirby Larson adds touches of Hawaiian culture here, like the meaning of hula and tossing leis into the water to assure a return to Hawaii, and there’s a glossary of terms at the end. Nanea is biracial, with a Hawaiian mother and a Caucasian father, and this adds an additional facet to Nanea’s story, as she communicates with her mainland grandparents to let them know what’s going on in Hawaii.

The Spirit of Aloha is a good introduction to World War 2 historical fiction for younger readers. You can find excerpts and more about Nanea on the American Girl website.

Scholastic has a teaching guide on the attack on Pearl Harbor; Teachers Pay Teachers has some free, downloadable resources developed by fellow educators; the Pearl Harbor Aviation Museum has a lesson plan on developing visual literacy by analyzing photos from December 7, 1941. The New York Times has a lesson plan on using primary sources to teach the Japanese Internment, as does the Library of Congress.

Julie: The Big Break (American Girl: Julie), by Megan McDonald, (Aug. 2019, American Girl), $7.99, ISBN: 9781683371328

Ages 8-12

Nine-year-old Julie has just moved to a new neighborhood and started at a new school after her parent’s divorce; she, her mother, and older sister live in an apartment above her mother’s new store. She starts at a new school and hears they have a basketball team, which is great! She loves basketball! The coach, however, makes no bones about it: the team is boys only, and he’s never going to let a girl play on his team. Julie, empowered by her tennis-playing older sister who tells her about tennis star Billie Jean King and Title IX, the law prohibiting gender discrimination in any educational programs receiving Federal financial assistance (read: public schools can’t refuse any boy or girl from playing on an athletic team). Julie embraces her newfound activism and takes to the streets, getting people to sign a petition to let her play.

The Big Break is a snapshot of the 1970s, when the second wave feminist movement was still pushing for equal rights in the workplace and in our schools. An interesting subplot with a Vietnam vet, who helps focus Julie’s activism by petitioning against the closing of a veteran’s hall, reminds readers that the ’70s were also about coping with the fallout from the Vietnam War and the vets who returned to homelessness, and a lack of necessary mental and physical health services. Julie’s sister is a burgeoning feminist who follows the Bobby Riggs-Billie Jean King Battle of the Sexes and tells Julie about Title IX, which opened the doors to school athletics for girls. At the same time, Julie is coping with her parent’s divorce – much more scandalous in the 1970s than it is today – and her feelings of grief and frustration with both her parents. Her mom appears to be a free spirit, with a ’60s-early ’70s flower child aesthetic; she’s a divorced woman entering the workplace and starting her own business venture: a store dedicated to handcrafted clothing and items, often repurposed. Julie’s pilot father often misses school events because he’s called to fill in for another pilot, and doesn’t initially support her bid to play on the boys’ basketball team.

The Big Break is by Megan McDonald, who everyone also knows as the author of the Judy Moody and Stink series! Here, she gives readers a glimpse into the 1970s, where things are so different, and yet, still the same. Girls still get grief from boys in the athletic sphere. Homeless veterans are still not getting the services they need. People now use Title IX to protect transgender and nonbinary students. And girls are still discovering and embracing their voices in activism. You can read more about Julie on her American Girl page, including first chapter excerpts.

TedEd has a lesson plan on Title IX that’s friendly to younger students. NEA Today has a good article on ways Title IX has helped women and girls; PBS has a video on Title IX; Scholastic Kids Press has an article on how Title IX changed girls’ sports. Teaching History has resources on teaching the Vietnam War.

Each book comes with a peek into each girls’ life: maps of their neighborhood, pictures of their families, a glimpse at someone’s room. Back matter includes overall information about each American Girls’ moment in history. American Girl makes teachers guides, readers guides, and printable activities available.

Historical Fiction, Teen, Young Adult/New Adult

The Red Ribbon finds hope in the heart of despair

Posted on October 15, 2018 by Rosemary Kiladitis

The Red Ribbon, by Lucy Adlington, (Sept. 2018, Candlewick Press), $17.99, ISBN: 9781536201048

Ages 12+

Ella is a 14-year-old young woman who lands in Auschwitz-Birkenau after being picked up on the way home from school. She lies about her age to be placed in the Upper Tailoring Studio; a dressmaking studio within the camp, where the skeletal women Ella calls “Stripeys”, referring to the prisoners’ striped uniforms, make dresses for their clients: the wives and girlfriends of the SS officers, and the female SS officers themselves. Ella has dreams of being a dressmaker and finds herself more than up to the task, but her friend Rose points out that there’s a fine line between doing what’s necessary for survival and collaborating with the enemy, no matter where one’s true passion lies.

The Red Ribbon looks at some big issues taking place during the Holocaust: there really was a dressmaking studio, where prisoners repurposed clothing taken from the arriving prisoners to make clothing for the SS wives, girlfriends, and officers. There were prisoners who acted as “prominents”: they oversaw other inmates and could be almost as cruel and demanding as their jailers. Ella’s talent for dressmaking gains her notice from one SS officer, an 18-year-old named Carla, who leaves her small gifts for trade and invites her to share birthday cake with her one time and viciously beats her another, calling her inhuman. Rose acts as Ella’s conscience, seeing through the illusion Ella desperately wants to create: an illusion where her grandmother is still safe at home and waiting to hear from her; an illusion where her dressmaking talent is valued, and the Auschwitz “Department Store” is a kind of thrift store and not a pile of stolen goods from stolen lives. Ella’s desperation to hone her dressmaking talent borders on collaboration, but she refuses to acknowledge it until a heartbreaking moment when her beloved grandmother’s sewing machine lands in front of her in the Studio. It smashes Ella’s naivete, but she and Rose bolster one another, and the women around them as they pray and wait for liberation.

There are some devastating moments in this story, and Lucy Adlington’s words weave beautiful, terrible visions. Prisoners tell each other to “Look down at your sewing, not up at the chimneys”. One prisoner is so desperate for news about her children that she asks about an SS officer’s son: “Tell us about the little boy – how old? My son was three when they took us.”

The book equally captures desperation and determination; hope and despair. It’s a good add where collections need YA fiction that discusses The Holocaust. Display and booktalk with Antonio Iturbe’s The Librarian of Auschwitz, The Diary of Anne Frank and John Boyne’s The Boy in the Striped Pajamas (I’ve seen this title in both Juvenile and YA collections); Elie Wiesel’s Night and Tatiana de Rosnay’s Sarah’s Key, and Art Spiegelman’s Maus. The Jewish Book Council has an excellent list of Holocaust-related YA books. There is a creative writing resource available for free download from The Hay Festival.