Posted in Fantasy, Graphic Novels, Historical Fiction, Teen, Young Adult/New Adult

The Iliad goes graphic: Gareth Hinds interprets the epic into a graphic novel for teens

The Iliad, Adapted and Illustrated by Gareth Hinds, (March 2019, Candlewick Press), $27.99, ISBN: 9780763681135

Ages 13+

A companion to 2010’s award-winning adaptation of Homer’s The Odyssey, Gareth Hinds adapts Homer’s epic and manages to capture the breathtaking scale. The Iliad is the first part of the epic poem that recounts The Trojan War, introducing readers to legendary characters including Achilles, Hector, Paris, and Odysseus. Hinds gives readers a dramatis personae of important Greeks and Trojans; he also provides illustration of the cantankerous, trouble-making Greek gods, dividing them up between Titans and children of Zeus.

Flowing the story as dialogue between an omniscient narrator (Homer) and the characters is a big help to readers who may be cowed by the epic poem in its original form; Gareth Hinds brings life to the characters and creates landscapes and battle scenes that really engage readers. The drama is more intimate when one feels like a bystander as Hector and his wife, Andromache, say their goodbyes as he goes off to fight Achilles; seeing the gods interfere in the outcomes of battle will have some readers yelling at the book like we yell at our TV screens (okay, the reader in question is me). There’s just so much material to interact with here: an epic story that’s endured for millennia; maps, and notes all come together to make this a great volume to keep on hand for your students, kids, and patrons.

Gareth Hinds’s The Iliad has starred reviews from Publisher’s Weekly and The Bulletin of the Center for Children’s Books. You can find tour dates for Gareth Hinds’s Iliad tour on his website. Candlewick Press has a free, downloadable educator’s guide available.

Gareth Hinds is an award-winning graphic novelist who has some great, epic classics to his credit, including Beowulf, Macbeth, and the works of Edgar Allan Poe. ELA teachers and librarians, get copies of his work into your students’ hands!

 

Posted in Fantasy, Graphic Novels, Teen, Young Adult/New Adult

DC Ink: Top name YA authors and reimagined origin stories. Sign me up!

DC Ink is a fairly new (little over a year) DC Comics imprint, dedicated to middle grade and YA original graphic novels. I only had a sneak peek at Harley Quinn’s upcoming book, Breaking Glass, and haven’t read Mera’s book, Tidebreaker yet, but I received ARCs for both Under the Moon: A Catwoman Tale, and Teen Titans: Raven, and had to dive in.

As with the YA novels in the DC Icons line, every book DC Ink is written by YA royalty, so you just know you’re getting good stuff before you even open the book. They’re illustrated by graphic novel rock stars, so  you’re going to get some phenomenal artwork. Put it all together, and you’ve got a can’t-miss group of graphic novels coming your way. Let’s check ’em out.

Under the Moon: A Catwoman Tale, by Lauren Myracle/Illustrated by Isaac Goodheart, (May 2019, DC Ink), $16.99, ISBN: 978-1-4012-8591-3

Ages 13+

We all know Selina Kyle, aka Catwoman, has a multitude of origin stories (the comics, Gotham, Batman Returns, The Dark Knight Rises), but it’s because she’s such a captivating character: authors want to tell ALL the stories, and we want to read them! Selina can be anyone, from anywhere; her fluidity makes her a longtime fan favorite, and in Lauren Myracle’s hands, we get an entirely new Selina: a 14-year-old, living with her mother and her revolving door of awful boyfriends. The current one, Dernell, has been around for a while, and seems to be the absolute worst. He’s verbally and physically abusive, and Selina’s mother won’t say a word against him. When he goes too far in “punishing” Selina one night, she has had enough: she runs away and lives on the streets, stealing what she needs to survive. And she finds that not only is she good at it, but she enjoys it. A group of homeless kids adopts Selina, despite her desire to be a loner; she’s drawn in by Rosie, a selectively mute young girl who bonds with Selina. But Rosie goes missing, and Selina finds herself in an awkward situation as she tries to track Rosie down and keep her safe.

Under the Moon is such a good origin story. The consistent thing about Selina is that she’s always capable, always collected, and always at odds with her desire to be a loner and her desire to help those less fortunate then she is. Her vulnerability is her heart, but you’ll never know it (unless you’re a third party reading her book, amirite?). Bruce Wayne is a supporting character here, and it’s fun to see him and his perfect hair in high school; it’s also nice to see he and Selina verbally spar even back in the day. There’s also an interesting murder mystery subplot, because it’s Gotham City.

The artwork is largely subdued purple-blue and white, with sound effects rendered in yellow for effect. The artwork makes excellent use of movement, perspective, and body language. Grab this one for your YA collections, but use caution if you’re thinking of handing it off to younger readers: there’s domestic violence and profanity in here, so much younger readers will be much better off with Superhero Girls trades.

Lauren Myracle is the author of the New York Times bestselling Internet Girls series, which includes ttyl and ttfn, all of which are written in textspeak. Isaac Goodhart is an illustrator whose graphic novel cred includes Postal and Love is Love. He also has an amazing sketch of Hawkeye and Kate Bishop on his Instagram.

 

Teen Titans: Raven, by Kami Garcia/Illustrated by Gabriel Picolo, (July 2019, DC Ink), $16.99, ISBN: 978-1-4012-8623-1

Ages 12+

Teen Titan’s Raven speaks to my wannabe goth girl soul. I love her on the original Teen Titans cartoon from the early 2000s, and I crack up watching her on Teen Titans GO! now. Who else could write this character but Kami “Beautiful Creatures” Garcia, who also speaks to my inner wannabe magic-using goth girl? Raven’s orphaned at age 17 when her foster mom is killed in a car accident. Raven moves in with her foster mom’s sister, who seems to know something about Raven that Raven either can’t remember or doesn’t know. She and her foster sister become fast friends, and a cute guy named Max is interested in her, so things should be settling down for Raven, but weird occurrences start happening. When Raven thinks something, it happens: a mean girl trips and falls, just as Raven wishes she would. She can hear what people are thinking. She’s having nightmares. A sprinkling of good, old school Nawlins voodoo and a Deathstroke appearance make Raven’s origin story A-plus reading.

The artwork is mainly black and white, with some color pages splashed here and there. Raven’s trademark purple and black hair shines off the page, and – Raven fans, are you ready? – she wears adorable narwhal pajama pants at one point. There are little DC winks and nudges throughout, including Raven holding a Wonder Woman doll as a child, and there are some amusing girl power-message tees.

Kami Garcia is a bestselling author and cofounder of YALLFest, the biggest teen book festival in the U.S. Gabriel Picolo is a comics artist who’s worked with Blizzard, BOOM! Studios, and DeviantArt.

Get the Raven book. Get all the DC Ink books. Your readers will be glad you did. And really, you should sit down and read through them, too.

 

Posted in Realistic Fiction, Teen, Young Adult/New Adult

YA in dual narratives: Between Before and After

Between Before and After, by Maureen Doyle McQuerry, (Feb. 2019, Blink), $17.99, ISBN: 978-0310767381

Ages 12+

Told in two narratives across two timespans, Between Before & After is the story of Elaine, a girl raising her younger brother, Stephen, after losing her mother and baby sister to the 1918 Influenza Pandemic and her grief-stricken father to a drunken brawl, and Elaine’s teenaged daughter, Molly, as she tries to unravel her mother’s secret past. The narratives shift between fourteen-year-old Elaine’s story from 1918-1920, and Molly’s in 1955. Molly sees her journalist mother as an enigma, going so far as to create a “biography box” to hold clues to her mother’s story. Elaine’s story is a heartbreaking one, beginning with her mother and baby sister dying, and her father’s spiral into alcoholism and neglect and ending with his death. When Elaine finds work reading to a blind man in a wealthy family, she is relieved at being able to support her and her brother, but a turn of events separates Elaine and Stephen. In 1955, past and present converge when Stephen finds himself at the center of a religious controversy that shines a spotlight on the family.

Between Before and After is a solid piece of historical fiction that examines social class and mental illness. The subplot involving Elaine’s brother Stephen was interesting, but only served a small plot forwarding device for Elaine’s – and, to a degree, Molly’s – story. The characters drew me right in, and anything about New York in the early 20th Century gets my attention. I enjoyed Maureen Doyle McQuerry’s storytelling, especially Elaine’s story; she was a fully realized character.

If you have historical fiction readers, this is a good pick for you. There’s much to discuss about social class, stigma, and childhood poverty here, making this a good extension/book discussion choice for social studies/history classes.

Posted in Animal Fiction, Fiction, Fiction, Graphic Novels, Intermediate, Middle Grade, Non-Fiction, Teen, Young Adult/New Adult

Springtime reading: April Graphic Novels

Cannabis: The Illegalization of Weed in America, by Box Brown, (Apr. 2019, First Second), $24.99, ISBN: 9781250154088

Ages 14+

Award-winning graphic novelist Box Brown is back with the real story of how cannabis – weed, marijuana, reefer – went from being a plant used for spiritual purposes to being labeled a gateway drug that caused “reefer madness”. How did it happen, you say? Racism. Politics. Propaganda.  Scare tactics. The usual song and dance. Box Brown has done his research and, combined with his minimalist artwork, presents a tale that will have you seeing the politics of marijuana (the origin of that name is in here, too, and it’s a doozy) in an entirely new light.

The War on Drugs started long before Nancy Reagan went on Diff’rent Strokes and told kids to “just say no”, and the fallout has targeted minorities – primarily young black men – and left thousands imprisoned for minor infractions. Studies have purposely included falsified data and allowed Harry J. Anslinger, the first commissioner of the Federal Bureau of Narcotics, to perpetuate his war against narcotics by weaponizing moral outrage and using propaganda to get the plant a schedule 1 classification, putting it on par with heroin.

Ignatz Award winner Box Brown has a gift for nonfiction. While he’s primarily done biographical graphic novels thus far, including Andre the Giant, Andy Kaufman, and the rise of the video game Tetris, Cannabis is a thoroughly researched, fully realized, history of marijuana, from its earliest recorded uses through the present day. It’s a good add for your young adult/new adult collections and could be a good selection for a book group, especially with its increasing legality and medicinal usage.

Peter and Ernesto: The Lost Sloths, by Graham Annable, (Apr. 2018, First Second), $17.99, ISBN: 9781626725720

Ages 6-10

It’s the return of my favorite sloth buddies! Peter and Ernesto are back, and they’ve got a new adventure when a hurricane blows their beloved tree away! Peter, Ernesto, and the rest of their sloth friends must set out to find a new tree. A great tree. A tree just like the one they had, preferably. As they journey through the jungle, there are new dangers to brave: angry ants, slithering snakes, running pigs, and a very hungry jaguar! Ernesto is up to the challenge, but poor Peter… well, Peter’s going to need his best friend next to him as they lead their friends to a new tree. And maybe, a new friend or two along the way.

I love this new series! The two friends are like the Bert and Ernie of sloth civilization, with idealistic, upbeat Ernesto and cautious, nervous Peter acting as counterbalances to each other. The new animals the group meets as they venture through the jungle are hilarious, and the twist near the end will have your readers cheering. It’s emotional to see the sloths survey the damage to their tree, and it adds a depth to Peter’s and Ernesto’s characters as they take on the responsibility of shepherding their group to a new home. It’s just as emotional to see them find a new tree and the final resolution will just make you feel good. Peter and Ernesto is feel-good reading, and who doesn’t need more of that?

I can’t wait to see where life takes them next. Add this to your graphic novels collections and talk them up! Make a Best Friends display and make sure to include Frog & Toad, Elephant and Piggie, Narwhal & Jelly, and Duck and Porcupine.

Posted in Teen, Young Adult/New Adult

A whodunit with a twist: The Color of Lies by CJ Lyons

The Color of Lies, by CJ Lyons, (Nov. 2018, Blink YA Books), $17.99, ISBN: 978-0-310-765356

Ages 14+

This is one heck of a mystery. High school senior Ella lives with her grandmother and Uncle Joe after an accident orphaned her as a toddler. Her father’s best friend and business partner, Darrin, treats her like a favorite niece and has cultivated her father’s business into a solid foundation to keep Ella safe and comfortable. That all changes when Max shows up: Max, the journalism student consumed with Ella’s story, because what Ella’s been told isn’t how it happened. Max knows, because Max was there that night, too.

This is a wild ride. You think you know what’s going on, and CJ Lyons politely smirks and shakes a finger in your literary face, crafting a plot that left me dumbfounded. Adding a main character with synesthesia – a condition that wreaks havoc on the senses, and, in Ella’s case, allows her “read” people through their colorful auras – adds nice depth to the characters. There is a lot of storytelling here – at times, to the detriment of pacing – but overall, this is a good mystery, with a touch of romance, that teens will like.

CJ Lyons’s author webpage includes medical and forensic links and the opportunity to download some of her work for free.

Posted in Graphic Novels, Realistic Fiction, Teen, Young Adult/New Adult

February Graphic Novels bring big feelings

PTSD, by Guillaume Singelin, (Feb. 2019, First Second), $24.99, ISBN: 9781626723184

Ages 16+

A veteran home from an unpopular war, Jun is an outsider whose fate is similar to many of our own vets in the here and now. She’s mentally and physically broken, finding relief in the drugs she’s addicted to. When she connects with a single mom running a food booth, and a fellow vet and his dog, Red, Jun begins to heal and works toward helping her fellow vets heal.

Set in a fictional, Hong Kong-inspired city, PTSD chooses a gritty, urban futuristic landscape to tell the story of a veteran who went off to fight a war, and came home to indifference. Jun gives us a chance to glimpse into a vet’s psyche: beaten down, haunted by her memories, and physically broken, she’s been left behind by the people she thought she went off to defend. She’s angry, she’s in pain, and the only thing that seems to take the edge off is drugs. Basic human kindness angers her – she initially rebuffs the woman who runs a food stand, because she’s so unused to humane gestures. Readers will see our vets reflected in Jun and her fellow homeless vets.

The story is strong, although I struggled with the artwork. The manga-inspired artwork is dark and often muddy. It’s atmospheric, but often left me struggling to figure out what was going on and where. Manga fans will snap this up, and booktalk this with books like Elizabeth Partridge’s National Book Award nominee, Boots on the Ground. This is a young adult and up-level graphic novel with language and content that may be too rough for middle grade readers.

Bloom, by Kevin Panetta/Illustrated by Savanna Ganucheau, (Feb. 2019, First Second), $24.99, ISBN: 9781250196910
Ages 13+

This YA/New Adult graphic novel is a gentle love story. High school is over, and Ari can’t wait to move out of his hometown. He and his bandmates are planning on a big move to the city, where they can get more gigs and make their names – now, all Ari needs to do, is convince his dad to let him quit his job at the family bakery. At the same time, Hector comes to town to wrap up his deceased grandmother’s affairs and sell her house. He loves to bake as much as Ari is sick of it, and he ends up being the perfect replacement for the struggling bakery: even Ari’s dad loves Hector! But as Ari works side by side with Hector, getting him up to speed on the bakery, the two fall in love… until disaster hits, in more ways than one. Can Ari’s family recover when their business and home burns to the ground, and can Hector and Ari ever work out their relationship?

Created with soft blue and white artwork, Bloom is a sweet story of first love, identity, and independence. Ari can come off as pretty whiny, but his friends are even worse. Hector is the strong, silent type that pulls Ari out of himself and helps him discover who he is – and that he doesn’t need his friends in order to give him an identity. Bloom also explores consequences: Ari has to make big choices in this book, and not every choice is going to be the best one for him. It’s part of growing up, and growing up can be painful. It’s how you work through it that matters. Bloom is a good add to your YA/New Adult graphic novel collections and a love story that will give readers the warm fuzzies.
Posted in Non-Fiction, Teen, Young Adult/New Adult

We Are Here to Stay gives you the real story

We Are Here to Stay: Voices of Undocumented Young Adults, by Susan Kuklin, (Jan. 2019, Candlewick Press), $19.99, ISBN: 9780763678845

Ages 12+

Award-winning author and photographer Susan Kuklin conducted extensive interviews with nine undocumented young adults who all came here as children. They come from Colombia, Mexico, Ghana, Independent Samoa, and Korea, and they – and their families – came here for the chance at a better life and education. They fled poverty. They fled violence. They left family behind.

Originally slated for publication in 2017, Susan Kuklin originally planned to feature full-color portraits and the subjects’ names in this book, but the Presidential election and subsequent repeal of DACA, makes it unsafe to identify these young adults. Identified only by a first initial and represented by empty frames, these are hard stories to read. They will move you: they will upset you, they will make you angry, and they will make you feel for the young people who live in the shadows, terrified that at any moment, they’ll be sent away. They’ve crossed through hellish deserts, been taken advantage of by people that were supposed to help them, and turned away by their families in some cases. Working in their communities to bring about positive change, they are here, and they want to be part of the America we know we can be.

We Are Here to Stay offers a lot of food for thought and discussion. These individuals face an uncertain future, and they know it. We Are Here to Stay is a must-read, must-have book for young people everywhere, and it’s a must-read for every person whose lives touch young people: parents, caregivers, educators.

Susan Kuklin is the Stonewall Honor-winning author of Beyond Magenta: Transgender Teens Speak Out.

Posted in Realistic Fiction, Teen, Young Adult/New Adult

YA Crossover Fiction: New Dark Ages

New Dark Ages, by Warren Kinsella, (Dec. 2018, Dundurn), $14.99, ISBN: 9781459742154

Ages 16+

The second book in Warren Kinsella’s X-Gang series, while set in the ’80s, sees the rise of a candidate that’s eerily familiar: Earl Turner is an all-American guy running for President on a “White is Right” platform, and the country seems to be eating it up. His numbers are going up, his rallies are teeming with supporters, and, most distressing to Kurt Blank and the rest of the X Gang, their former drummer, Danny Hate, is right smack in the middle of it. He went “conservative” after incidents from the first novel (Recipe for Hate, 2017), but to be showing up at political rallies as Earl Turner’s right-hand man? Meanwhile, dead punks are being discovered in cities right after the Nasties’ – the X Gang’s band – shows, and Kurt’s drug habit is starting to become a problem.

Set in the ’80s, New Dark Ages is a reminder that we haven’t come as far – or is it fallen as far? – as we thought we may have. Earl Turner has that jock appeal that went over so well at the time, with the current administration’s open malice for anyone not like him. The narrative tends to jump around a bit, though, and while there’s some good punk culture fiction happening here, along with potentially interesting political intrigue, there are too many balls in the air to keep a cohesive storyline in play.

Is New Dark Ages YA? Not necessarily, but it’s got crossover potential. The characters are in the age range, and confronting issues that will most definitely affect their futures. It’s an additional purchase if you’ve got readers interested in punk culture (including us Gen X readers who were around at the time) and politically charged fiction.

 

Posted in Fantasy, Fiction, Graphic Novels, Middle Grade, Teen, Tween Reads, Young Adult/New Adult

Three graphic novels you should NOT miss!

It’s been a busy few months! I realized that some really good graphic novels passed their book birthdays, but that’s no reason not to shout about them! I’ve got a little something for most here – see what’s good!

Aquicorn Cove, by Katie O’Neill, (Oct. 2018, Oni Press), $12.99, ISBN: 9781620105290

Ages 8-12

The third outing from Princess Princess Ever After and Tea Dragon Society author/illustrator Katie O’Neill is another hit! A girl named Lana and her widowed father return to their seaside hometown to help her Aunt Lana – her mother’s sister – clean up after a storm devastated the community and discovers more about her mother, her aunt, and the magical underwater creatures whose fate is tied directly to the surface. A tender, thoughtful story about humanity and our relationship to our world, Aquicorn Cove explores at grief and loss, sustainability, and community. This timely – and yet, timeless – story has soft, warm artwork with lush scenery and gentle faces; diversity above and below the water, and a sweet, hinted-at relationship between Aunt Lana and the queen of the aquicorns. Put this one on your shelves if you don’t have it already. Also makes a great holiday gift.

Katie O’Neill is a two-time Eisner Award winner and a Harvey Award winner.

 

Beautiful Darkness, by Fabien Vehlmann & Kerascoët, (Oct. 2018, Drawn & Quarterly), $17.95, ISBN: 9781770463363

Ages 13+

Do not let a first glance at this cover deceive you: this is NOT a kids’ title. Take a closer look at that cover. That’s no leaf the little blonde pixie is standing next to: it’s a human hand. The story itself is grisly: what would happen if a little girl died in a forest, and a small, vicious, fairy society sprang up around her? Originally released in French in 2014, this is a dark fantasy; an anti-fairy tale that will grab the eyeballs of your horror readers. The sweet artwork is in direct conflict with the grisly, often bleak storyline; small moments within each panel pop up to remind us that we are not in an adorable, cotton candy fairy world: the fairies ransack an opened purse, and we see a little boot lying nearby; a character sits, hungry, in an outstretched hand, surrounded by worms, as she waits for food. The watercolor artwork is stunning, which makes the story of backstabbing, betrayal, and murder all the more nightmarish. This one is a headtrip, but worth the ride for horror and dark fantasy readers. Clearly mark this one so it stays in your teen or adult graphic novel areas. Beautiful Darkness has a starred review from Publishers Weekly.

 

Lumberjanes: The Infernal Compass, by Lilah Sturges/Illustrated by polterink, (Oct. 2018, Boom! Studios), $14.99, ISBN: 978-1684152520

Ages 9+

One of my favorite comic book titles – seriously, Lumberjanes always brings the goods – has a brand new original graphic novel! Lumberjanes, for those not in the know, is basically the X-Files meets summer camp as a group of girls in the Roanoke House at Miss Qiunzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady Types: Friendship to the Max! In this installment, the Janes are off on an orienteering outing (finding your way with a map and compass), but one of the compasses is a little… off. When the friends start disappearing one by one, Molly knows something is up – and when she meets a strange female explorer who claims that she has no need of friends, she knows something is up! The Eisner- and GLAAD Award-winning series explores sensitive topics about relationships, gender, and sexuality in an upbeat, fun environment; this latest adventure is no different. The awkwardness of going from being “one” to “partnered” is a main plot point here as Molly’s and Mal’s relationship develops; April even bestows a “ship name” on the duo, which really makes it weird for poor Molly. Throw in a lost in time explorer, a mysterious compass, and some automaton butlers, and you’ve got a true Lumberjanes adventure. Usually a full-color comic, Infernal Compass is in black and white, with green accents to highlight the supernatural bits. The comic’s first issue is a bonus, included at the end, to orient new readers. Stock up on your Lumberjanes trades if you don’t already have them: this is a middle grade-and-up series (and there are middle grade books, too!) you want to have available to your readers.

 

Posted in Teen, Young Adult/New Adult

Listening to Limetown? Here’s the prequel!

Limetown, by Cote Smith, Zack Akers, & Skip Bronkie, (Nov. 2018, Simon & Schuster), $26, 9781501155642

Ages 14+

If you haven’t listened to Season 1 of the Limetown podcast, I highly recommend it.  It’s a creepy, fictional Serial-type podcast, where a journalist named Lia Haddock investigates a research community where over 300 men, women, and children disappeared, virtually overnight. One of the scientists was uncle, Emile Haddock. The second season’s just started, and there are only six episodes in the first season, so you have time.

The Limetown novel, written by the podcast’s creators, is a prequel that works as a YA crossover novel. Lia and Emile Haddock are the central characters here; Lia is a teen at the time of the novel, which takes place in two time frames: Lia’s adolesence in the immediate aftermath of Limetown, and Emile and Jacob’s – Lia’s father – adolesence and early adulthood. We learn about the roots of Limetown, and Emile’s path in getting there, and we get the formation of Lia’s burgeoning journalism career, what led her to investigate Limetown, and allusions to her being part of the Limetown event.

There are some glaring inconsistencies between the book and the podcast which didn’t sit right with me, to be honest. Lia seems to end the book with a lot more information than she starts out the podcast with, and at points, the narrative tends to lag. Lia’s mother emerges as a fascinating character that I want to learn more about in future episodes of the podcast. I liked discovering characters from the podcast in this novel, but would rather have had a prequel about Limetown itself, rather than have it merged with Lia’s story. Maybe that’s in store for another book? If you’re a fan of the podcast, give the book a shot.