Originally published in 1959, The Smallest Elephant in the World is back in hardcover! A small elephant, no bigger than a housecat, leaves the jungle to get away from the bullies who make fun of him. He ends up in the care of a boy named Arnold, whose mother does NOT want an elephant for a house pet. Arnold tries some creative fudging to convince his mother otherwise, but Mom’s not fooled that easily. Where will the Smallest Elephant find a home?
This adorable story about friendship and finding one’s own place in the world is as relevant and sweet today as it was when it was released 60 years ago. Milton Glaser’s vintage illustration is bold, with bright oranges and greens standing out against the black and white page backgrounds. The elephant’s face is expressive; sweet and friendly, and he’s adorably tiny when shown in scale.
The Smallest Elephant in the World brings a nice touch of our childhoods back to our children’s collections. Gen X kids like me will fondly remember the art and silly-sweet storytelling, and pass that love onto a new generation. Let your kiddos draw their own tiny elephants, and give them things to measure against: a book, a shelf, a ruler, or your foot!
An Instagram star and creator of Juno Valentine and the Magical Shoes spotlights outstanding women in this abcedary. Juno Valentine is our guide, introducing readers to some of her favorite “sheroes”. There are standard favorites here: Amelia Earhart, Harriet Tubman, and Malala are all here, side by side with feminist figures like megastar Beyonce, Nobel Prize-winning scientist Dorothy Hodgkin, fashion icon Iris Apfel, and author Ursula K. LeGuin. There’s a mirror here for “X, Y, Z: the Extraordinary You, and the Zillions of brilliant, brave adventures you will have”, which makes for big fun during storytime. Collage artwork is bright and textured, with differing fabrics and hairstyles. The addition of Roman goddess Venus feels a little off, but every other featured female is flesh and blood real, and the grouping has a nice diversity. Each woman has a one-line description; some have quotes attributed to them.
I love a good board book, and this one makes my cut. Add this in time for National Women’s in March, and plan your storytimes now.
A long-legged white bird doesn’t feel like he fits in with his flock, but feels a connection when making eye contact with a little girl. The bird ponders his existence and explores the human world, not noticing until the snow falls that his flock has migrated without him. He catches up with his flock and they sit together on a rooftop, “alone and together, over the rooftops, and under the moon”.
I’ll be honest, I had to read this one a few times to really get it. It’s very open to interpretation, and while the gist of the story is about a bird who isn’t sure about his relationship to himself and within his community, I’ve seen other picture books handle this in a more linear fashion. and I’m not sure that little ones will get it. Some of the text gets lost in the mixed media collage artwork, which could impede a readaloud. The collage artwork tells the story in surreal, dreamlike fashion, which may be the best way to get the message of this story across: the bird feels alone, connects with humans, explores, and ultimately, finds peace within himself and within his community. It’s a beautiful message to communicate to younger children who are starting to socialize in groups and may feel out of place; it’s also a strong message to older children, who can break down the introspective message here. I’d love to see this as a school-wide readalong in elementary schools that still have them, so kids from K-5 can each take a turn at deciphering its meaning to them as individuals.
It’s an interesting book that may take a few reads to unpack, but worth it for the discussions that can follow.
“What if your hair was big and orange and really bright? What if one eye was green and the other eye was blue as night?” The rhyming text takes readers through all sorts of ways we can stand out from the crowd, with adorable illustrations – a purple lamb, a swaying monkey – and extols the virtues of individuality. The text assures readers that being different is special, and good for you: it can give your spirit a lift; it would be dull if everyone were the same. Sandra Magsamen embraces uniqueness, and makes sure her readers do, too, pointing out how being different can help in certain situations. After all, someone quiet can be a big help when putting a bandage on an injured crocodile. Pair this with Todd Parr’s books, especially It’s Okay to Be Different and Be Who You Are, for a feel-good readaloud. The artwork is colorful, never overpowering, with upbeat, yet calming colors and bold outlines. What If? is a cute picture book for collections where Todd Parr does well.