Posted in Fiction, Fiction, Middle Grade, Tween Reads

The Bigfoot Files searches for Bigfoot and even mother-daughter ground

The Bigfoot Files, by Lindsay Eagar, (Sept. 2018, Candlewick Press), $16.99, ISBN: 9780763692346

Ages 10-13

Mirando Cho is tired of being the parent. The 12-year-old student council president is dead set on securing a spot in a leadership camp this summer that will get her out of the house and away from her cryptozoolist mom, Kat. Kat’s obsession with mythical monsters, especially the ever-elusive Bigfoot, has taken center stage in her life: bills have gone unpaid, the house is in danger of foreclosure, and neither her father nor her grandmother is interested in helping out. It’s time for Kat to grow up, and Miranda has a plan to make it happen. The two set off together for another Bigfoot hunt, where Miranda plans to confront her mother with everything; once she breaks her down, she’ll help her get back on track to being a responsible adult. But nature has a different plan, and Kat and Miranda end up lost in the woods together. Miranda may have a thing or two to learn about magic after all.

The Bigfoot Files is an interesting take on the “irresponsible single parent, stressed out smart kid” story. We’ve got a mom who still has that spark of magic in her, but she’s let it take over her life, to the detriment of her daughter and the family finances. She’s always ready for the big score: the picture of Bigfoot, the big research grant, the one moment where the proof will magically appear. Miranda has overcompensated for her mother’s flightiness by becoming an overachiever with compulsive tendencies – she pulls her hair out to soothe herself and obsessively focuses on her planning, research, and lists, lists, lists. Kat is frustrating, and Miranda isn’t always sympathetic, which – let’s be real – is spot on. Both parties need to give a little to get somewhere, hence the trip into the woods. And that’s where things get interesting. Miranda is the ultimate skeptic – and as readers, so are we – until a pivotal moment that threatens to turn everything upside down. We get a touch of the speculative in our realistic fiction, inviting readers to keep the faith; there is magic to be found out there, if you’re willing to find it. Ultimately, readers and our characters come to a compromise and understand that somewhere in the middle lies the best way to go: bills still need to be paid, and magic can still exist.

Posted in Fantasy, Fiction, Fiction, Graphic Novels, Intermediate, Middle Grade, Teen, Tween Reads, Young Adult/New Adult

October graphic novels have something for everyone!

There are some solid graphic novels hitting shelves in October: LGBTQ+ positive stories and a dystopian adventure for tweens and teens, andĀ for tweens and teens, Art Baltazar’s adorable artwork for kids are just a few of the books you can look forward to. Let’s dive in!

 

Gillbert, Vol. 1: The Little Merman, by Art Baltazar, (Oct. 2018, Papercutz), $14.99, ISBN: 9781545801451

Ages 6-10

If you have readers who get a kick out of Joey Weiser’s Mermin books, they’ll love Art Baltazar’s Gillbert: The Little Merman! He’s the son of King Nauticus and the prince of Atlanticus, and he’s surrounded by cool friends, like his turtle buddy, Sherbert, and his starfish buddy, Albert. One day, he meets playful mermaid named Anne Phibian, who takes him to a rocking party at WeWillRockTropolis. Meanwhile, aliens invade Earth, but quick action by Queen Niadora and her alien friend, Teeq, save the day.

Art Baltazar creates art that kids love: Tiny Titans; Grimmiss Island; DC Super Pets, and countless more comics have his signature bold, bright artwork and zest for zany adventure. He’s got kid-friendly artwork, storylines, and humor that kids eat up. When my library kids are too young for the DC comics on “the other side of the library” (the teen collection), but still want superheroes, I give them Art Baltazar’s books, and they’re thrilled.

Gillbert’s first outing looks like it’s the start to a fun new under-the-sea series. Papercutz won’t steer you wrong; add this one to your graphic novel shelves.

Lost Soul, Be at Peace, by Maggie Thrash, (Oct. 2018, Candlewick), $18.99, ISBN: 9780763694197

Ages 13+

Acclaimed Honor Girl author Maggie Thrash’s latest book is a continuing memoir with a touch of fiction. A year and a half after the events of Honor Girl, Maggie is spiraling into a deep depression. She’s failing 11th grade; her stuffy, image-consumed mother is baffled, and her workaholic father, a federal judge, pays no attention to her. The only thing Maggie cares about is her cat, Tommi, who seemingly disappears in her rambling home. While searching for Tommi, Maggie discovers a ghost named Tommy, who leads her to peel back layers of her father’s life and see him through new eyes.

Maggie Thrash beautifully captures the tedium and angst of adolescence and the hopelessness of depression. The feeling of shouting into the void is poignantly captured when she opens up about coming out… and being ignored, regardless. She maintains a bitter sense of humor through her journey, making her likeable and relatable, and her watercolor artwork intensifies the feeling of being not-quite-there.

Lost Soul, Be at Peace is a beautifully thoughtful graphic memoir and a must-add to upper middle school and YA collections. Download an author note (also included in the back matter) and Maggie Thrash’s Top 10 Songs for Lost Souls playlist here; view a sample chapter here. Lost Soul, Be at Peace has starred reviews from School Library Journal and Kirkus.

 

Last Pick, by Jason Walz, (Oct. 2018, First Second), $17.99, ISBN: 9781626728912

Ages 10+

Last Pick is the first in a new dystopian trilogy. Three years ago, aliens invaded earth, taking everyone between the ages of 16 and 65: everyone they deemed “useful”. The survivors left behind live under cruel rule. Too young, too old, too disabled, they’re seen as worthless, receiving slim food rations and living under constant threat. But Sam and Wyatt, a twin brother and sister, are about to change all that. Sam’s the rebel, distributing food and fomenting revolution; Wyatt, her special needs brother, is the brains of the operation: he’s cataloging the aliens, and knows how to work with their technology. They start disrupting the aliens’ plans and making themselves a general nuisance until the aliens decide they’re too much of a threat, right on the eve of their 16th birthday.

Last Pick is SO GOOD. I tore through this one during a lunch hour; it’s compulsive reading with a tight storyline and characters you want to root for. Aliens appear to be enthralled with earth culture and are played in part as comic relief, from the overlord who seems to be influenced by American Westerns, affecting a cowboy-type flavor of speech, to the gooey creature that shares a love of Ultraman with Wyatt. There’s some intrigue going on among the aliens, too; I’m looking forward to learning more in the next installment. Sam and Wyatt are a solid sister-brother unit; Wyatt’s special needs appear to place him on the autism spectrum, and Sam acts as his partner and protector. An underground radio broadcaster, a Latinx who refers to herself as La Sonida, offers moments of retrospection and I hope we get more of her, too.

Adventure, science fiction, and dystopian fans are going to love this. If you have readers who love Spill Zone and Mighty Jack, hand them this one. Last Pick has a starred review from Kirkus.

 

On a Sunbeam, by Tillie Walden, (Oct. 2018, First Second), $21.99, ISBN: 9781250178138

Ages 14+

Eisner Award winner Tillie Walden’s On a Sunbeam collects all the installments of her webcomic. It’s a science fiction adventure in a universe that embraces all relationships. Mia is a young woman on a reconstruction crew that travels through space, restoring buildings and structures. The narrative shifts between the present and Mia’s past, where she fell in love at boarding school with a girl named Grace; a girl who was taken away by her family before Mia could say goodbye. Mia learns more about her crewmates and their own stories as they travel through space, ultimately creating a family of their own.

The cast is incredibly, wonderfully, diverse. There’s Char, the co-captain; she’s an African American woman who shares captain duties with her Caucasian wife, Alma: “Char may have the degrees, but Alma knows how to yell”, according to one character, Jules. Jules should know: she’s Alma’s niece, taken in when her mother – Alma’s sister – died. Jules seems to be the youngest member of the crew; she’s most likely a teen, loves playing games, and is the happy optimist of the crew. Ell/Elliot is a Caucasian nonbinary person who prefers they/them/their pronouns – and the crew vociferously defends their right to those pronouns, as Ell is nonverbal. Grace, Mia’s lost love, is African American.

As the narrative shifts between Mia’s past and present, we see Mia and Grace’s relationship develop, right up until Grace’s departure from the school. The color palette shifts with the narrative: cooler colors like blues and purples dominate the flashbacks, while warmer colors creep during the present day. Mia is the central character, but every character in this novel has a story to tell. This is a book I had to move back and forth with during the first few chapters; not having read the webcomic, I wasn’t altogether sure I was reading a connected story until I got the hang of the shifts, and of Mia’s place in them. Stick with the story: it’s an wonderful work of queer speculative fiction that deserves a spot on your shelves. On a Sunbeam is good for young adult/new adult readers.